Soul Of A City...

Do you believe a city could have a soul? As in a breathing, thinking, rejoicing and occasionally weeping soul? I do.

For me, cities are not just a cluster of buildings or a mesh of railway tracks. They have much more to them than just the infrastructure. I also strongly believe that a city is as much part of your personality as your zodiac sign is and that makes you vaguely predictable. As in, almost every Taurean is fiercely stubborn – a bull with locked heels. Similarly every Mumbai BBU(born and brought up) is street smart. Of course you do see exceptions to prove the rule. I have seen passive, doormat-ish Taureans and similarly you can occasionally find a naïve Mumbai BBU or a subtly dressed Delhi BBU or a native Hydrabad BBU correctly pronouncing H1B instead of Hech1B or a Chennai BBU not enjoying rice-sambar! Point being, cities have  soul and we have soul and sometimes we actually find a city that is in every sense our soul-mate. It understands you, nourishes you, often fights with you and yet at the end of the day, takes you under its broad and rusted wings. I don’t mean to suggest that villages don’t. Or that they don’t alter you. They certainly do but their charm works magically as you near retirement. You think of a village when you want to sit back, read for hours, eat fresh, locally grown vegetables and fruits and swim in the river or sea. Cities associate themselves with growth, cut-throat competition, parties, deadlines, commute that lasts for hours, eating leftovers & freshly baked pizzas and sleeping for four hours max. Cities mold you, break and re-make you, they shape an identity for you and before long, you become what your city wants you to be! For example, can you imagine Sex & The City or Suits happening anywhere but in New York City? Can you imagine my latest favorite - The Lunchbox unfolding anywhere but in Mumbai? Can you read any Jhumpa Lahiri book and not find Boston in it? Can you imagine Taslima Nasrin’s Lajja as riveting anywhere but in Bangladesh? I cant. Even though these are fictitious characters, their city becomes a tiny and yet very core part of what they do, how they think, why they fall in or out of love.

For me, when I fondly think of any city, Mumbai is of course the first name that comes to my mind very effortlessly. This city is in my being. It accompanies me when no one else does. I do often find myself feeling lonely – that could happen in a train or on the beach – so basically when I am not alone and yet, it’s the same city that comforts me as well. I was born here, in an area of Mumbai that later gained its popularity for a deity – Shri Siddhivinayak Temple. The deity whom this area was actually named after – Prabhavati Devi has since taken a back seat. There is, after all, no comparison between the gold plated steeples of Siddhivinayak Temple that attract millions every year and a small temple hidden behind a skyscraper where oldies still go to devour the calm and peace it offers. While I was growing up & attending Shardashram, famous only for being Sachin Tendulkar’s school, my city started from Matunga & ended at Nariman Point. I was not known of any suburbs. My parents took me to Dahisar at my mama’s place when I was in third grade. This area marks the end of Mumbai Municipality and upon my return I told my class teacher that I had been to America. Yes, suburbs were far off, almost like a foreign land. My experience widened and so did the boundary of what I considered Mumbai as I started with college and yet I felt relieved at the end of every day as I returned to Prabhadevi and its familiar sights and smells. We stayed in a chawl & like any other chawl dweller we considered it to be a bad place for a growing up girl so I wasn’t allowed to mix with other kids. Books became my friends then. So in a way, I owe it to this city, my love for books & also the freedom it offers me from being too dependent on people for happiness or sorrow.

Every Sunday, I was taken to Shivaji Park. Its not actually a park. I mean there wasn’t any park then. It was just a beach with golden sand, horse carriages, Ghati (and by that I mean a caste and not the non-maharashtrian synonym for tacky) men carrying wicker baskets full of yummy kulfi. There were a very few stalls that sold chat that is now ubiquitous but then we never had money for Bhel Puris or for balloons and yet I was a happy kid. I built castles. They were the proof of how pathetic I am at art and crafts. All I could ever make was a cone shaped mountain. Sometimes I longed for the plastic beach toys that other kids had which would enable them to carve nice shapes and actually make forts. I think that was the time, I had grown up enough to understand the value of money and how its abundance or lack could impact you. I always wondered how would it be like to have rich folks who could get you all the chat you wanted to eat and a ride on the nearly-dead horse and a balloon shaped as a plane and those plastic beach toys. 
Then, there were very few couples sitting at the back of the crowd and carried on doing what couples do. Holding hands was the ultimate limit of obscenity. Instinctively I knew never to ask my parents what these college going, young couples were up to. By the time I enrolled in D.G.Ruparel College of Art, Commerce and Science, these couples were mushrooming everywhere on my beloved beach, their antics had now crossed the first base. An umbrella still covered them from the prying eyes and yet I wasn’t sure why people would want to be in public for their most private moments. A stone’s throw away from where these couples cootchi-cooed, was a Hindu crematorium – the traditional one with wooden logs, fire and sundry. If my parents ever saw a funeral party approaching, they made me look somewhere else but that did not stop the smell of burning flesh from making me gag. Again, I knew what that was all about. We would take longest route on our way back home, to avoid the place, to avoid the mourners, to avoid the chant – Ram Naam Satya Hai…

but beyond anything, my most favorite moments on the beach were when we – my father and I, collected the shells. They weren’t too distinct. There was almost the same hardness and same pattern of red, cream and white on their body. Collecting as many as possible, hiding them from my mother and smuggling them back home was an adventure. Later, I would clean them with soap water and my mom would just know – she could find sand deposited all over the place. Those shells decorated my book-shelf and also a lot many of my otherwise pathetic art and crafts projects. All those in my class, not fortunate enough to stay so close to a beach would envy me for that bounty. It felt good to be on the other side of envy, for once. The second best moment was the sunset. I loved the painted sky and the reduced glow of sun as it dipped in the sea. I would stare hard at the setting sun and then for a minute or two, everywhere I looked, I could see it. A bright, orange dot on everything I lay my eyes on.

Finally, my dad would take me to the water. We both would remove our shoes. He would fold his pants. I would be wearing a knee length frock that wouldn’t need any folding. He would hold my hand just to keep me from running like a monkey. The first wave washing off our naked feet was always too cold. It always deposited the while salts on our brown and tanned feet but the second, third and fourth would be warm and inviting and we wouldnt care if there was more salt on us. I would bent down, dip my fingers in the water and taste it. It was always too salty and made me cringe but that was a ritual. We would stand there for some time. My frock would fly around me but it didn’t occur to me to put it back in place, to tidy up to keep my modesty from onlookers, firstly because there weren’t those many perverts around. 10 year old could show her undies in public and no one would look twice and secondly because it indeed was a carefree age. While my dad held on to my hand like a leash on dog, I would bend down and splash water back into the sea. I guess, for the first time, even before my menses showed up, when I myself realized I wasn’t a carefree child anymore, it was on this shore. My father had stopped holding my hand. He would just stand there looking at the horizon, pointing out Mount Mary church in Bandra and later Centaur hotel. I would make sure to tuck my frock between my legs so that it wouldn't fly all around me. That – being aware of onlookers and comprehending their eyes was the flashcard this city had waved at me – Finally I was a grown up.

Even today, I go to the exact spot on the beach where my parents would take me when I was a kid. A lot has changed. I have changed. My parents no longer accompany me. Walking in sand exerts a lot of pressure on their aging and complaining knees. There is no sand now. It was all dug up and sold to builders all over the city. Sea has reclaimed that land and hence you have only a tiny crescent of place where you can sit now. Your clothes get dirty now because there is no sand that slides the moment you get up. Now there is a very fine sand, called reti, black as tar and it clings to your body and clothes. There are at least 2 dozen stalls selling everything from chat to chinese. People eat that irrespective of its price or hygiene. These days kids don’t carry any toys with them because there is no sand and most importantly there is no space. It’s so crammed that you can’t tell one family from other. Couples are still there – now we see the married ones as well, not quite sure if they are married to each other though. Or maybe, like a friend explained, they are. They are married and stay in a cube shaped room with 10 other people. They come here on this beach to find that solitude. They come here to hold hands, steal a kiss, gaze into each other eyes, tell each other dreams of growing old together, dreams of having kids, dreams of making big in this scary city – basically to do everything they can’t in their overcrowded home. Not that they are alone here but that’s the beauty of this city – it walks by your side and yet you can choose to be alone and on your own when you want. The privacy they cant afford or expect in an overcrowded home can easily be found here with thousands of other unknown faces. I know its all sweet and heart-warming but I cant help but resent when people completely forget where they are. I have seen the worst. They have long passed the third base and the fact that there are kids and elderly around be damned! 

These days there are no shells. What you find instead is all plastic. Empty containers, paper dishes, used condoms, plastic bags full of garbage or sometimes with wilted garlands & flowers that were offered to  Gods before dumping them here in the sea as per our customs. There will be human shit now instead of horse dung patties that were common back then. Needless to say, I no longer taste the water for its saltiness. I don’t venture into the water. Last time I tried, I was up whole night scratching my feet. The rash was instantaneous & remained itchy for next 3 days.

Every summer, my father would take me to Nehru Tarangan (Planetarium). Its here that I dreamed of becoming a scientist. I know, 99% would want to be an astronaut but I was happy on planet earth. I just wanted to be that guy who wrote those books about stars and had a telescope of his own. I would diligently weigh myself on all planets. Then, my weight was non-existent on moon. I was always scared of dark and yet my father tells me now, the only place where I didn’t crib about it was this place. Stars, galaxies, universe, earth, black holes, supernovas – It was fun to be lost in them. They were sparkly, bright and very pretty. At the end of the show when the projector in the middle would settle back down at the center of the theater, it always played tricks on me. For a few seconds, I would feel as if my chair was in the air and it was me and not the projector that was slowly moving back to the floor. We never had money to buy a telescope or even those books on sale outside but I knew not to ask for anything. My father felt inadequate when my demands were not fulfilled but i always dreamed of returning to this place with lots of money and I did go back last year with pocketful of money and almost bought the entire shop and then returned it the next minute. I just didn’t have time to read these books, most of which I had outgrown but I promised those books to my future child. S(he) would read all that and I will vicariously live through that.

 I know Mumbai is not just about Sea, a Planetarium and its ever present crowd but for me, they hold together a lot of childhood memories. They make me feel small, insignificant with their expanse. What am I really as compared to a roaring sea? What is my achievement of life really as compared to the universe this planetarium sketches across its dome? What is my unhappiness or my problem as compared to millions around me? With all the hue and cry i make about my life not being perfect, about some days spent in despair, there are so many out there who would give and arm and leg for life as privileged and protected as mine. There is no other city that can make you feel so blessed and humble even if you have limited means!

I may be shifting to suburbs very soon – for a better and bigger house so that I could have a room of my own – a luxury I have always wanted but never had till now. I know that suburb is also part of Greater Mumbai but its NOT Mumbai. For me Mumbai is sea and salt in the air. For me Mumbai is my third parent that has seen me growing up. For me Mumbai is what made me into what I am today so I am going to miss Prabhadevi and the sea and my planetarium that's literally minutes away from my home but like this city has taught me - I must move on!

Shuddha Desi Bakwas - Are we confused between One Night Stands & Live In?


It took me two days to make up my mind about Shuddha Desi Romance. Its promos were promising and yet I could never trust Indian film-makers especially the commercial ones to tackle a subject as foreign and yet very-much-around as Live In relationship sensibly for what it is – a choice of living your own life. After spending Rs. 350 in a multiplex, I have come to repent my choice. My gut feeling was right about everything that could possibly go wrong with such a film & SDR failed to make a point let alone impress! 

So it’s a story of two young ones, the boy - Raghu – conning tourist guide in Jaipur & an orphan & the girl -Gayatri– an IAS hopeful (I almost choked on my Coke) & parents-intolerant (you know as in lactose intolerant types). These two meet in wedding procession of none other than the aforementioned  boy & sparks fly! The kissing spree begins here. Raghu’s commitment phobia now fueled by an animalistic (no other word after those kisses) attraction towards his ‘rented’ sister gets better off him & he bolts from his wedding leaving his never-to-be bride asking for Coke (as in Coca Cola) to calm her nerves. To his credit, he does see how beautiful she is & yet marriage means commitment that he cant handle, for now. 2 weeks later, his rented sister - Gayatri corners him into a store & they start dating. Of course they don’t mind sleeping together on their first date & without much ado Raghu gets his boriya-bistar to her home and voila! They are in Live-In relationship – Just like that! And like it always, always happens, once they are done with their song & dance ritual, doubts creep in. Raghu is jealous of her colorful past. The very things that impressed him about her - her chain smoking & her Open Book lifestyle where she can count her boyfriends one after the other & give him a one line run down on each. e.g one was funny but too funny. You don’t want to marry Charlie Chaplin. Second was perpetually horny so she dumped him for having no brains (!)! - start to bother him. On her part, she conveniently forgets to tell him about the third one that got her expecting! Later, these love birds, in a drunken stupor overcome their phobia & decide to get married & as part of the divine justice, Gayatri elopes. You feel less than sympathetic with Raghu as you just have, in previous scene, watched him considering doing the same thing to her. Enter the Ex – Tara. A modern girl, almost out of league for Raghu, saves his ass from beating in a wedding. They start dating after she asks him in what is considered a cool way if he would like to be her boyfriend. You could almost see him wiping drool off his chin! What follows after is so confusing that I actually stared at the glowing red Exit sign in the auditorium for one complete minute to get my thoughts on track. I wish I hadn't gone alone to watch this movie. I really needed someone to bitch about it the moment it ended.

Some well deliberated questions:
-          - Is commitment phobia something you are born with? You know as in you are born Gay. Because no other explanation is provided in the movie as to why these two characters are so jumpy about getting married. They have not been married previously or haven't fought a multi-million dollar divorce or custody battle etc etc. It makes them almost comical.

-          -They killed off everyone’s parents except Gayatri’s – they stay in some faraway village to be bothered about who their daughter is staying with. And of course her parents don’t call as often as mine did so they would never know what’s happening in the city. Mr.Writer – there you took the short-cut OR you implied Live-In relationship is for orphans or for those not tied down by family. Wrong again! 

-          - Isnt it common sense for you to want to search the person you fled four own wedding for? Raghu does nothing of that sort. If Gayatri hadn’t chanced upon him (as script would have it), they would practically never meet. Is that what happens to the ‘Control Ke Bahar Ka’ attraction in two weeks! 

-          - Living In these days is considered akin to civil union. There are legal aspects to it just like getting married. In my organization, I can claim medical insurance for my live-in boyfriend if I can prove the nature of our relationship and if its at least 18 months old. While doing that, I need to prove that we both are financially supplementing each other & our home. (Yes, I was shocked too when I read it the first time in HR policies!) But of course, our hero heroine are too busy copulating to think about medical insurances, rent or other ‘practical’ aspects of such life. 

-          - Once bitten twice shy isn’t true for our IAS hopeful (and therefore somewhat brainy) heroine as she indulges all her fantasies of open roof sex and what not with a stranger whose past, sexual or otherwise remains obscure, never thinks about contraception or the possibility that there could be consequences i.e. pregnancy, STDs etc. Though I agree the pregnancy scare would have made it too clichéd but a sensible or even teasing discussion about this very important and practical aspect would have supplied some credit to this drama. 

-          - Gayatri blames her elopement on Raghu’s non-trusting nature but what is trust? How do you define it in a Live-In relationship where you always keep the door open (as they discuss in the end) for your partner to walk out? Is Don’t Ask Don’t Tell synonymous to trust? That made me laugh – that scene where she hits him, crying and accusing him that he would never be able to trust her. For me, trust is when you bare open your life to other person with its most grievous mistakes & your shortcomings instead of hiding them in the name of ‘starting afresh’. It sounds utterly unconvincing & stupid when Gayatri mouths those lines. 

-          -They share a bed & that’s how they start to Live-In. Very unfortunately this is what Indian movies reduce it to. That was my worst fear before I booked the ticket & it came true! Live-In relationship has to have something other than just sex. It’s still a relationship WITH commitment. It does not welcome promiscuity by the virtue its nature. You still are answerable to each other. The only thing it does not have is the need for divorce if you part ways. A girl can still lodge a complaint in police station and have the guy arrested if he wants to get his hands out but she doesn’t. Its not as easy as the movie makes it look & sound. What it shows is the 'cool' part but not all the trappings that it comes equipped with.

-          - So the guy left you at the altar. You want revenge and you want it bad so you start dating him & then midway you forget all about the revenge and sleep with him unapologetically and giggle about it?! That was the track when I was staring at the Exit sign. Tara tells Raghu how she pressurized everyone at her home after Raghu’s disappearing act and got into an Air Hostess academy & carved a career for herself. I was kind of getting impressed with her and then bam! In the next scene she confesses to simply running to Jaipur to avenge him. “Oh I am not an air hostess. I just come to airport, look at the cute pilots and eat something on my way back home” – How in the name of god you manage this if your parents are dead & you have lived an orphan’s life at your uncle’s? Am I the only one who feels bogged down by such questions? And for that matter, I don’t know how Gayatri and Raghu survive Rs.90-per-KG-Onions economy by the meager jobs they do? Shouldn’t these people be worried more than average about the money matters? 

-          - In the end both, Gayatri & Raghu decide to get married, supposedly because Raghu feels she is The One. Really? Once Gayatri leaves, It doesn't take him more than a week to propose to Tara for marriage and a week after that to do the hanky-panky! Wouldn’t you wait for The One or try to find her or at least want to seek revenge for the cowardly act?

-          - And eventually they do totally opposite of what they set out to do! They offer explanation for their choice. They offer justification and that’s where you lose remaining sanity & reason. So arranged marriages are fake, they are cumbersome, they feel like compulsion. Marriage in general means closed door! And since these two characters moonlight as ‘rented baratis’ they see it happening every day (!?!) and hence they shit bricks at the thought of getting married. What utter bullcrap! These two haven’t been even shown interacting with people whose marriage they are rented for. They simply wear blingy clothes & dance with abandon and THAT changes their views on marriage so drastically? So if people rent baratis (why would they do that is my question in first place), their union is fake?  Wasnt the whole point of this non-sense drama to show how its done without offering any justification and as the natural course a relationship might take when you are 'serious' about each other? You as an audience cant help but ask if they got confused between One Night Stands & Live-In relationship? They are not the same!


All in all, this movie is utter disappointment! Even the kisses, so hyped, suck so badly. They look ‘forced’ and utterly sloppy! The Tejwala attraction is not to be seen anywhere. Sushant is unbearable with his goat-like voice. He whines and he whines so much that it grates on your nerves. An average Indian guy would very rightly wonder what’s in this guy for these two beautiful and hot girls to follow him wherever he goes (and Rishi Kapoor’s character asks him that at one point). It is just me may be but I have had enough of Parineeti Chopra’s bubbly roles. There is a very very fine line between bubbly cute & irritatingly loud!  And finally the writers -You can be unapologetic, free and a spirited woman without being a motor-mouth! And Indian movies, seriously GROW UP! Having multiple sex partners (I hate to call them boyfriends or partners in general cause the film never touches on the emotional or companionship part of these relationships) does not mean ‘You are living life on your terms!’ enough of that bullshit already! 

The way this movie was publicized in India with their polls on merits of Live In relationships & cons of marriage (especially arranged marriages), you would think they were breaking the stereotype but when they, in a way, imply that only a girl with a very colorful past (someone we would call ‘gone case’ in our native Mumbaiyaa style) can be in a Live In relationship, it’s all lost! So for all those,
homely ones, Live In relationship aint for you!

 I may not have first hand experience of this but this movie riled me up so badly because my best friends from Ruparel - one Sindhi & other Gujrati were in Live In Relationship for 5 years before they decided to tie the knot. There was no fuss. There were no explanations. The rest of our gang came to know about it one day (while it was night in Germany) when we called his landline and she picked up. They fought, separated for few months, dated other folks and got back together. They decided to get married so as to provide a stable environment for their kids when they happen& for their families (which did kick a fuss for some time, funnily less for the Live In part and more for the  intercast-ness of the match!). I have spoken to them at times & have seen how deliberately they moved ahead with each step without being melodramatic towards it.
 
My verdict - Refrain from watching this movie! This is Shuddha Desi Bakwas!